Little Women: The Copy I Read to Tatters

In my minds-eye, I can still see the brown wooden shelf. It was on the left-hand side of the living room window (as I stood by the stereo cabinet and as I faced the Sheehy's house next door) and it felt like a veritable treasure trove of book goodness. Standing side by side, like noble soldiers, were about a dozen books with brightly colored spines. A small green glass vase stood somewhere nearby, and a ceramic girl with a cherubic face also stood guard.

Sometime in the 1960s, probably when my oldest sister and brother were in grade school, my parents purchased a set of literary classics produced especially for children. These were the Grosset and Dunlap Companion Library classics, the "two-in-one" volumes that fascinated me. Hold The Adventures of Tom Sawyer on your lap and enjoy reading, and when you're done, simply flip the book over and discover Huckleberry Finn. Not all of the paired books were by the same author, but some were, and I loved the "twin" book concept. You can see a picture of some of the books I mean on this vintage book site (where yes, some gently used copies are for sale).

I don't remember how old I was when I first picked up one of the companion books from the shelf, but I do know I loved them. This set was my introduction to Black Beauty, The Five Little Peppers, Arabian Nights, and many other excellent books. Most importantly, it was my introduction to Little Women and to Little Men, the "two-in-one" Alcotts in the set.

I don't know what happened to the rest of those books (do my parents still have them?) but I do know they completely understood that I took my copy of Little Women/Little Men with me when I grew up and left home. Of course, by that time, it no longer had its colorful spine -- I had worn it off from my repeated readings. My original copy of LW looked like a wounded soldier who had done faithful service in the line of duty, perhaps not unlike some of Alcott's charges in the Washington hospital where she served as a nurse during the Civil War.

And here it is, in all its tattered glory:


You're not imagining the dirt. It's really engrained in the cover. How could it not be? I dragged this copy of Little Women up so many trees (my favorite place to read). I was a good tree-climber, but my dad was so worried that I might fall while toting books with me (and climbing one-armed) that he made a string-pulley. I could tie my books to the pulley while safely on the ground, climb with both hands free, and haul the books up after me. I'm afraid, however, that I used to lower the books again very fast and dump them unceremoniously on the ground at the base of the tree. So the dirt worked into the cover is good Virginia soil!

And what about that cover? Like many Little Women fans, I often played "guess the sister" since there was nothing that definitively stated which girl was which. I had a very definite idea about who was who on my edition's cover. Amy, of course, is easy to spot -- she's the only one with blond hair -- but the other three are brunettes. But I thought the tall one in the yellow dress had to be matronly Meg, the smiling one in purple was Beth, and the one with her back to the audience and her elbows jutting out at sharp angles had to be Jo. I mean really, who else could it be?

Examining my tattered copy again this week, I was intrigued to note just how yellowed the pages are becoming and how brittle the binding is. I clearly had favorite places I returned to again and again. For instance, I loved that first chapter dearly, so one of the first big binding breaks comes between chapters one and two:



But the death of beloved sister Beth, and Jo's subsequent journey through grief, always moved me so deeply. I wasn't surprised to see a big binding break here either:





We are physical, encultured people. The books we love, and read again and again, live forever in our minds and hearts, but there is something deeply beloved in the actual look and feel of the book itself. This is where we first entered these worlds and met these characters. Books are doorways, but sometimes what evokes the memory of the first magical passageway into a beloved fictional world is seeing and holding again the actual book itself: enjoying the threshold, the doorjamb, the shiny brass knob (tarnished over time), and even the fingerprints we've left all over it.

As I contemplated my first real post in celebration of Louisa May Alcott and Little Women, I realized the best way I could convey my deep love and appreciation for this story was to show you my first copy.